★★★★☆
There’s an immediate sparkle to The Sapphires that’s hard to resist! Directed by Wesley Enoch and presented by Queensland Theatre Company in a co-production with Canberra Theatre Centre, the Brisbane premiere production tells the story of four Yorta Yorta women who find their voice, and their fame, in the late 60s.
Set against the backdrop of the Vietnam War and a changing Australia, the McCrae sisters have big voices and even bigger dreams. They’re spotted at St Kilda’s Tiki Club by smooth-talking talent scout Dave (Jack Bannister), who has an idea: take their sound to the troops in Vietnam.
What follows is a dazzling and dangerous journey carrying real weight, with playwright Tony Briggs drawing on the true story of his mother. This production lands with extra heart, being dedicated to Dr Naomi Mayers OAM, an original Sapphire whose spirit still echoes through the story.
The show opens with the classic Motown song Heatwave, sung by four young talents all making their Queensland Theatre debut: Taeg Twist, Ruby Henaway, Aurora Liddle-Christie, and Tehya Makani.
The songs in The Sapphires are a mix of recognisable classics like Respect, and Ain’t No Mountain High Enough, and lesser-known hits like Too Much For You, and People Can Make The World A Better Place. This mix strikes the right balance, lending an air of both familiarity and freshness to the production. There’s a QR code on the inside back cover of the program that will lead to a full track listing – music nerds rejoice!
There are some beautiful standout musical moments, including the traditional piece, Ngarra Burra Ferra. Sung in the Yorta Yorta language, it involves a telephone call and a first kiss. And James Brown’s anthems, Get Up, and Say It Loud – I’m Black and I’m Proud which had the entire opening night audience on their feet dancing.
Props to the four-piece band, positioned on the stage-within-a-stage, led by musical director Nathaniel Andrew on Guitar. Featuring James Feagai on keys, Eli Badger on Bass, and Dimple Bani on Drums, they seamlessly dip in and out of the story as required.
This is an empowering play, elevated by its songs and messages but The Sapphires is truly defined by the four formidable women it portrays.
As Gail, Taeg Twist embodies the eldest sister and self-appointed leader with plenty of sass. She isn’t afraid of clashing with anyone who challenges her and delivers a powerhouse vocal performance to match.
Aurora Liddle-Christie plays second-oldest sister Kay with warmth and charm. Her love story is endearing; her bond with the group feels genuine and her solo vocals are a standout.
As the youngest, Julie, Tehya Makani deftly balances the humour of her character’s constant search for somewhere to vomit with the fear and fragility of a teenage pregnancy.
A personal highlight is the confident, fun-loving Cynthia, played by Ruby Henaway. As the group’s free spirit, she delivers the comedy with effortless charm, completely winning over the audience.
The four male cast members serve as both effective adversaries and seamless set-piece movers. Together, they keep the production’s pace brisk and energetic.
Jack Bannister leans into the daggy charm of band manager Dave, complete with delightfully awkward dance moves. He more than holds his own opposite the feisty sisters, winning over Gail with a believable charisma.
Garret Lyon draws big laughs as Jimmy, proving a perfect foil for Cynthia. He also doubles as a lively and engaging MC for the show’s opening and closing.
As American soldier Robby, Cameron Leonard makes a strong impression, convincingly sweeping Kay off her feet. His upside-down scene is a particular highlight.
Chris Nguyen is wholly convincing as Vietnamese teen Joe, blending cheeky humour with genuine pathos. His scenes even drew audible giggles from a young audience member, a testament to his charm.
Richard Roberts’ simple and flexible set evokes the many locations in the story. It is enhanced by the clever props, including the trailer, which becomes a defining element. His costumes successfully evoke the era – I especially love the 60s casual sandals – with the crown jewel, of course, being the sparkling sapphire gowns.
Ben Hughes’ lighting and Craig Wilkinson’s projected video designs add a clever touch of audiovisual mastery during key moments.
There’s a joy to The Sapphires that stays with you, but so does its message. In today’s Australia, this story still matters. It speaks to culture, connection, and the power of being heard. Queensland Theatre Company’s production honours that beautifully, sending audiences home uplifted, reflective, and just a little bit nostalgic.
The Sapphires is presented by Queensland Theatre Company and Canberra Theatre Centre. It runs to 24 May at the Bille Brown Theatre. 78 Montague Road South Brisbane Qld 4101.
It then runs in Canberra 30 May – 7 June.
Tickets: https://tickets.queenslandtheatre.com.au/events
Website: https://queenslandtheatre.com.au/plays/the-sapphires
Socials: https://www.instagram.com/qldtheatreco/
Photo credits: David Kelly
