Jessica Swale’s thought-provoking play Blue Stockings comes to life in an outstanding production presented by the talented students of Company 2025 from the Queensland Conservatorium’s Bachelor of Acting program. Showcasing the students’ exceptional acting abilities, the production highlights the importance of full-time acting training in producing compelling theatrical experiences.
Written in 2012 as Jessica Swale’s debut play, Blue Stockings saw Swale nominated by the Evening Standard for Most Promising Playwright. She has since won an Olivier Award for her work, and has directed notable film and TV projects, including the iconic comedy short film Leading Lady Parts.
Blue Stockings is set in 1896 at the prestigious Girton College, Cambridge University, and follows four young women as they fight for their right to graduate alongside their male counterparts. As these strong-willed women navigate the oppressive societal norms of the Victorian era, they grapple with balancing their academic pursuits, personal lives, and societal expectations.
Throughout the play, themes of gender equality, education, and the importance of fighting for one’s beliefs take centre stage. Jessica Swale’s witty dialogue and compelling storytelling highlight the strength and resilience of the four lead characters. It challenges audiences to reflect on the progress made in women’s rights while acknowledging the work that still needs to be done.
Director Elise Greig has done an excellent job guiding the cast, resulting in tight and polished performances that make this production an absolute delight to watch. The passion and dedication of the students is evident throughout the production, with stellar performances across the board.
With a double cast of characters, allowing each actor the opportunity to take on leading roles, it’s noted that the Emily cast performed on opening night. It would be fascinating to see how the dynamic of the show changes with the alternating cast.
Setting the scene from the beginning, Riley Fahey delivers a commanding performance as Dr Maudsley, memorably capturing the character’s unwavering beliefs regarding women’s place in society. Fahey’s booming voice resounds throughout the theatre, particularly during a pivotal scene with the talented Emma Kidd, who portrays Tess Moffat.
Kidd expertly captures the essence of an intelligent young woman grappling with the injustices she faces while balancing the complexity of youth, societal expectations, and the desire to effect change. Angela Lal Paulose almost steals the show as Carolyn Addison, infusing the character with a vibrant energy that is both infectious and utterly engaging. Her impeccable comedic timing and delivery provide the perfect balance of levity amidst the play’s heavier themes.
In the role of Celia Willbond, Darcy Jackson gives a solid performance that adds depth to the cast. Completing the group of four was Arundhati Banerjee as Maeve Sullivan, showcasing her range during several emotionally charged scenes.
Grace Faint’s portrayal of Mrs Welsh serves as the linchpin for the entire production. Faint fully embodies the essence of a strict yet nurturing 19th-century schoolmistress with a commanding on-stage presence. Her delivery of the powerful and emotional final speech solidifies Faint as one of the production’s standouts. Allegra Marino’s performance as Miss Blake serves as a perfect foil to Mrs Welsh, showcasing her acting prowess.
Callum Johnston shines as Ralph Mayhew, expertly balancing charisma and humour in a characterisation that channels comedy great Rowan Atkinson. His use of physical comedy and gesture in the poetry reading scene was particularly outstanding and had the audience in fits of laughter.
Rushad Katrak delivers a standout performance as Lloyd, skilfully navigating the character’s complexities and embodying his entitled demeanour with a palpable intensity. The audience’s audible reaction to his character’s transformation is a testament to Katrak’s impressive work.
The collective performances of the remaining cast, composed of Rhys Canham, Lachlan Brayshaw, Cameron Rixon, Matthew Ianna, Rory Gryffin, Cecilia Varese, and Jordana Wenke, are a testament to the strength and depth of Queensland Conservatorium’s acting program.
Also of note are the production roles, which are divided among the cast to enable behind-the-scenes, hands on experience. Every role is covered, from stage management to costumes, sets and props to lighting, hair and makeup to marketing.
It is worth commending the free, full-colour programs available to all; something the professional theatre companies are doing away with interstate. Long may this tradition remain in Brisbane, it is fully appreciated.
Queensland Conservatorium’s Blue Stockings is a must-see production, boasting a strong cast of emerging actors who skilfully bring to life this thought-provoking and captivating play. Don’t miss it.
Blue Stockings, presented by Queensland Conservatorium, Griffith University’s Company 2025 Bachelor of Acting students, runs until 8 March at Metro Arts, West Village, 97 Boundary Street West End 4101.
Tickets: https://metroarts.com.au/event/blue-stockings/
Website: https://www.griffith.edu.au/arts-education-law/queensland-conservatorium
Socials: https://www.instagram.com/qldcon/
