Just in time for the school holidays, Peter and the Wolf has arrived. It is charmingly presented by Queensland Ballet as part of their My First Ballet series. Choreographed by Greg Horsman, this lively take on the beloved story honours the original 1960s version while offering a fresh update for young audiences.
Peter and the Wolf was originally conceived by Prokofiev as a symphonic fairy tale, designed to introduce children to the instruments of the orchestra. Each character is assigned a different instrument and musical motif. From the twittering flute for the bird to the sinister French horn for the wolf, each tune delights. QB’s production proudly features an engaging live score, performed on stage by musicians from the Queensland Conservatorium, Griffith University. This creates an immersive experience of both movement and music.
The Talbot Theatre at the Thomas Dixon Centre provides the ideal setting, with an auditorium that includes good sightlines from every seat. An aisle that cuts through the space is used well, allowing the young audience to get close to the characters.
Josh McIntosh’s set design is simple yet evocative and includes a giant tree that dominates the stage. Pieces on wheels are quickly manipulated to transform the cages of a Zoo to a charming house in the woods. A lively trio known as the Wolf Crew work well to ensure smooth set transitions.
Acting as narrator, Hugh Parker’s voiceover introduces the characters and the instruments, guiding us through the story to ensure little ones understand what is happening. At just under 50 minutes, the production is very watchable for young attention spans.
The cast are all members of Queensland Ballet’s Jette Parker Young Artists ensemble. At the matinee I attended, Peter was danced by Declan Daines. A technically impressive dancer and spirited storyteller, Daines carries the production well. He is supported by a talented cast, including Eli Southurst as the Wolf, who is age-appropriately spooky but not overwhelming.
The trio of animals are fantastic in their characterisation and dancing and are supported by fun costuming of Noelene Hill. Annie Chen as the Cat prances and preens, while Brooke Tarry’s bird flutters high in the treetops. Francesca Poi’s Duck is flat-footed and funny. Although the Wolf eats the Duck, it’s done offstage and with light-hearted humour.
Seth Marshall hits the comic moments well as Grandfather, while the team of four dancers – Moeki Kojima, Levi Miller, Mia Paske and Georgia Lorange – double as both Scouts and Zookeepers. They are a crowd favourite with their lively antics.
To enhance the experience, there are add-on interactive workshops where children can explore the story, characters, and ballet moves from the production. Bookings for this are essential. Exclusive merchandise is also available to purchase, and includes a themed charm bracelet, water bottle and children’s t-shirt.
Queensland Ballet’s Peter and the Wolf is a delightful introduction to ballet and orchestral music, promising an engaging production that will appeal to children of all genders. With a playful spirit, thoughtful design, and talented young cast, it strikes the right balance for its young audience. Whether it’s their first ballet experience or a return visit, Peter and the Wolf promises to spark joy and inspire curious minds.
Peter and the Wolf runs to 5 July as part of Queensland Ballet’s My First Ballet series, at Talbot Theatre, Thomas Dixon Centre. 406 Montague Road West End Qld 4101.
A special post-show Q&A with Queensland Ballet artists and dancers will follow the final performance on 5 July.
Tickets are available here.
Website: https://www.queenslandballet.com.au/
Socials: https://www.instagram.com/qldballet/
Photo credits: Angharad Gladding. Cast photographed are different to the cast reviewed.
