On Thursday night, FANE hosted the iconic American author and commentator Fran Lebowitz for an In Conversation at The Regal Theatre in Perth. In attendance was a sold-out audience of people eager for a night of witty one-liners and sharp observations of contemporary society.
Fran’s Australian and New Zealand tour follows her role in the highly acclaimed Martin Scorsese Netflix documentary series Pretend It’s a City. She returns to the stage to share her quintessential biting, unapologetic takes on New York culture, American politics and her disdain for the modern, tech-driven world.
The show was structured in two parts. The first featured a moderated interview touching on topics including her relationship with Toni Morrison, the cancellation of The Late Show with Stephen Colbert and her projections of the trajectory of American politics during and after Trump’s presidency.
The second half opened to audience questions, many existential and advice-seeking in nature. The audience’s curiosity was piqued. Fran answered audience questions with crass, dry humour and impeccable comedic timing. A terrific storyteller, her magnetic personality allows her to hold an entire audience’s attention to whatever topic she fancies speaking about.
Fran was simultaneously self-deprecating and self-aggrandising in a way that was undeniably entertaining. She proudly admits she has no interest in money whilst also being incredibly materialistic, creating a dangerous cycle that has meant she has continued to do global tours well into her seventies.
She insists she is always right and jokes that the world would be a better place if she were president of the US. These contradictions and other witty observations, whilst charming, also revealed the limits to her commentary.
I should admit that I arrived with only a surface-level understanding of Fran Lebowitz. I knew she is a lesbian, a long-time smoker and her uniform includes a boxy blazer, cowboy boots and tortoise shell glasses. Those who came to hear her share personal anecdotes with her iconic New York edge likely left satisfied.
But anyone hoping for deeper political insight and advice about living an unconventional life (judging by the audience questions, there were many) may have left wanting more. She is a well-revered writer and speaker, so I was surprised to have critiques of the show.
Fran’s political analysis fell short. On several occasions, she avoided directly answering questions, instead offering a play-by-play of contextual events rather than her perspective on them. When asked about the cancellation of Colbert’s show, for instance, her response was informative but failed to address the interviewer’s question about the cancellation’s impact on the confidence of public figures to speak out against Trump.
Whilst I always welcome a brutal roasting of Republican politicians, her takes were crude and lacked the sharpness she is so well-known for. At times, it felt she spoke about politics because it was expected of her, not because she had any new insights to offer.
Still, it is refreshing to see an older woman (a demographic so often sidelined in contemporary media) engage an audience with such striking judgements and unabashed confidence. Fran seemed to embody a kind of second-wave feminist persona: a woman who, in wanting to be successful, was told to act like a man to be taken seriously. She embodied the authority historically afforded too easily to men.
This raises the question: would she be granted the same cultural reverence if her uniform was less androgynous and included a skirt? Her persona on stage resembled what Gen Z might call a ‘pick-me girl’: a woman who emphatically rejects any interest in things that society deems feminine and/or unserious.
Even so, there is something liberating about watching someone so assertive and unconventional be given an unrestricted invitation to command a stage and say whatever she likes. Even when I disagreed with her takes, I respected her audacity and self-assurance.
A strong theme of the night, and well-known characteristic of her identity, is her disdain for the internet. Though her criticism was fair, her perspective lacked nuance. Her refusal to engage with the internet in any way, other than to critique it, limits her understanding of such a prominent cultural phenomenon that is social media.
This created an obvious generational gap. She seemed to remain stuck in the 1970s and 80s, and unable to understand how younger generations think, communicate and engage with information. Not that she cares (or was the purpose of her tour), which she repeatedly reminded us.
Her critiques of New York Mayor, Zohran Mamdani as naïve and overly optimistic, felt underdeveloped. She was quick to confidently predict the future of American politics in a manner that felt outdated. It seemed her strengths lied in anecdotal storytelling rather than analytical political and social commentary.
It is no doubt, however, that Fran Lebowitz gets people, has had a rich life and many wonderful stories to share. Her witty responses to existential questions were hilarious, and her confidence makes growing older feel exciting. She’s a great writer and speaker and is observant, intelligent, funny, and self-aware.
True to her style, she blessed us with some clever one-liners too. One that stood out to me was a friend’s remark to her: ‘You don’t understand the world because you don’t watch reality tv’ in relation to understanding human nature and politics – a striking and not entirely incorrect exclamation.
When asked about ‘sliding door moments’ in her life, she rejected the premise and responded with the observation that life can go one of many ways, with endless possibilities, and no superior options. That life will be. This modest simplicity captures her worldview well.
Fran’s love of books remains endearing. Her hatred of long-haul flights relatable. But she also said she couldn’t recall a recently published book she had read that was worth reading, a disappointing remark and telling of her dogmatic perspective.
Perhaps that is exactly what audiences came for: the original, unfiltered Lebowitz persona that refuses to evolve.
At the end of the day, she certainly wouldn’t care what I have to say. There’s something magnetic and empowering about that. It’s no surprise she is so popular.
An Evening With Fran Lebowitz tours Australia and New Zealand in May 2026. See dates below.
Tickets are available here.
Website: https://fane.com.au/whats-on/an-evening-with-fran-lebowitz/
Socials: https://www.instagram.com/faneaustralia/
Hero image: Cybele Malinowski
2026 Australian Tour Dates:
Sydney 19 May, Sydney Opera House
Presented in partnership with the Sydney Opera House
Perth 21 May, Regal Theatre
Adelaide 23 May, Festival Theatre
Brisbane 24 May, QPAC Concert Hall
Melbourne 25 May, Hamer Hall
Auckland 28 May, Kiri Te Kanawa
Presented in partnership with the Auckland Writers Festival

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