There is something quite enjoyable about Beenleigh Theatre Group’s production of Tootsie the Musical. We went along knowing absolutely nothing about the show, which actually made it more fun. Taking the plot from the 1982 movie and injecting it with plenty of humour, Tootsie the Musical is a show that doesn’t take itself too seriously.
The story follows Michael Dorsey, an actor who is struggling to find work (very relatable as a Brisbane-based performer!). Taking inspiration from his ex-girlfriend, he decides to audition as Dorothy Michaels, a woman from the South. What ensues is a wild ride of self-discovery, compassion, and lots of clever ridiculousness.
The weight of this musical sits squarely on the shoulders of Adam Goodall, who plays Michael/Dorothy. Switching between the characters, he is clear and believable. Goodall’s vocal range fits the role, and his accent transitions are commendable. This, along with the costume changes, helps distinguish between the two personas.
One small detail that could help define Dorothy even more visually is red lipstick, as seen in the promotional materials. This touch would create additional comedic opportunities during the frantic costume changes.
Joining Goodall is a strong cast of supporting characters. A personal standout is Michael’s best friend, Jeff Slater, played by David McLaughlin. His dry wit lands consistently, and his comedic timing is excellent.
This cynical character serves as the voice of reason amidst the chaos, and every appearance brought laughs from the audience. It was a joy to watch his blatant Act Two opener, Jeff Sums It Up, where he recaps the colossal mess Michael has gotten himself into.
As Sandy Lester, Amy Petty delivers one of the show’s standout musical moments with What’s Gonna Happen. Her performance is packed with energy and personality in what is a very wordy song.
The character’s frustrations, anxieties and determination are all clear in this number, making it both entertaining and painfully relatable to anyone who has found themselves spiralling.
Heloise Ruinard brings plenty of warmth and charisma to the production as Julie Nichols, particularly during I’m Alive. The number is fun and showcases the excitement of performers chasing their dreams.
It then transitions into a dance rehearsal sequence that cleverly mirrors a Broadway-style workshop. I only wish dance terminology more commonly included moves such as the fidget spinner, bunny ears and lap dance. If you’ve seen the number, you’ll know exactly what I mean.
Patrick Lockyer is committed to the insufferable character of Max Van Horn, delivering the chaotic energy the role demands. Wild, unpredictable and delightfully over-the-top, his performance had the audience questioning whether some moments were scripted or improvised. Either way, the result was plenty of genuine laugh-out-loud moments and we were never quite sure what the character was going to do next.
Like any live theatre production in tech week, not everything went perfectly at the media preview performance. Technical issues and on-stage mishaps aside, it was an absolutely entertaining show.
The audience laughed at the right moments. The performers looked like they were having fun. The energy on stage was infectious. With the opening weekend still ahead and larger audiences yet to come, I suspect the energy and laughter in the room will only continue to grow.
Ultimately, these are the reasons community theatre exists. To entertain, to create, and to play. To bring people together for a few hours of shared laughter and enjoyment. And on that front, Beenleigh Theatre Group’s production of Tootsie the Musical delivered exactly what it set out to do.
Tootsie the Musical is presented by Beenleigh Theatre Group and runs from 5 – 20 June. Crete Street Theatre, Crete Street, Beenleigh QLD 4207.
Tickets: https://www.trybooking.com/events/landing/1561203
Website: https://beenleightheatregroup.com/productions/tootsie/
Socials: https://www.instagram.com/beenleightheatre/
Images supplied.
