Ever since studying Baz Luhrmann’s film Romeo + Juliet in high school, I’ve been utterly spellbound by its electric, hyper-stylised chaos. I fell head over heels for Shakespeare’s text, always quietly knowing in my gut that I’d make a killer Romeo myself – a claim I finally got to prove true on stage with Shakespeareience Australia in Sydney last April.
So, walking into the iconic Concert Hall at the Sydney Opera House for the world premiere of William Shakespeare’s Romeo + Juliet Film in Concert, presented by Disney Concerts and Baz Luhrmann, my expectations were soaring sky-high. I wasn’t just attending as a reviewer; I was stepping into a cinematic sanctuary that shaped my entire artistic DNA.
When Baz Luhrmann unleashed the film in 1996, it shattered the traditional period-piece mould, racking up over $147 million worldwide and earning an Academy Award nomination for Best Art Direction. Starring Leonardo DiCaprio and Claire Danes as the star-crossed lovers, the film redefined how modern audiences connected with classic Elizabethan verse.
Fast forward 30 years, and this brand-new film-in-concert adaptation kicks off its global tour right here in Australia – marking Sydney as its very first stop before sweeping across Australia and international halls through 2027.
The immediate, sheer visceral wall of sound took my breath away. Seeing Craig Armstrong’s cinematic score and Nellee Hooper’s grand choral arrangements brought to life directly under the glowing silver screen elevated the movie from a piece of ’90s nostalgia into a living, breathing theatrical event.
I walked out of the auditorium floating on an adrenaline rush, completely overwhelmed by how fresh and deeply heartbreaking the story feels when backed by a full symphonic force.
The crowd in attendance was a magnificent blend of die-hard cinema lovers, classical music aficionados, and millennials draped in ’90s-inspired fashion. And, effortlessly playing with their heartstrings was The Metropolitan Orchestra, led by Chief Conductor Sarah-Grace Williams.
Williams commands the stage (whilst playing an instrument herself!) with absolute precision, anchoring complex rhythmic shifts and ensuring the live orchestral balance never overpowers the film’s dialogue.
The aggressive brass and thunderous percussion during the opening shootout turned the cinematic action into a visceral concert experience. The soaring orchestration behind Des’ree’s I’m Kissing You gave the iconic fish tank meeting a goosebump-inducing intimacy. And the strings during the tomb scene were hauntingly lush, capturing every nuance of grief and tragic timing.
It was also a treat to be greeted with a special message from Baz at the start of the film, an unexpected touch. And audience cheers, which were encouraged, added to the lively atmosphere.
William Shakespeare’s Romeo + Juliet Film in Concert is an absolute triumph that breathes exhilarating new life into a modern cinematic classic. Whether you grew up reciting the lines in high school English, or are experiencing the film’s legendary score for the first time, this is a breathtaking, pulse-pounding symphony of romance and tragedy that simply demands to be experienced live.
A grand, cinematic celebration, it proves that true love, much like brilliant music, never fades.
William Shakespeare’s Romeo + Juliet Film in Concert is presented by Disney Concerts & Baz Lurhmann. It ran on 29 September 2026 at the Concert Hall, Sydney Opera House. See 2027 tour dates below.
For more information and to book tickets, visit the website.
Website: https://www.romeoandjulietinconcert.com/
Socials: https://www.instagram.com/disneyaunz/
Images supplied.
2027 Australian Tour Dates:
Perth Tuesday 25 May, Riverside Theatre
Brisbane Thursday 27 May, Convention & Exhibition Centre
Melbourne Friday 28 May, Palais Theatre
Sydney Saturday 29 May, Darling Harbour Theatre

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